He observes that there are people working in a hybrid workflow, with dozens of plug-ins and racks of tone-shaping equipment, who often overlook the cohesion that working with multiple channels of identical microphone preamps and EQ sections can bring to a mix. “With so many great plugins on the market, it’s easy to load up a different EQ on every track, but in doing so, you lose some of the magic that happens when you working with a console. ORIGIN’s E-Series EQ sounds great and is a total workhorse, so you don’t feel the need to scroll through your plugin folder. Of course, it’s easy to patch in another processor if you’re looking for a particular sound. On top of that, the PureDrive mic pres can be crisp and clean or full of character, and when paired with the EQ, you’ve got a great-sounding signal chain that is flexible enough to work with any genre. And when you’re ready to mix, you’ve got a great summing path and the classic Bus Compressor which helps bring your whole mix to life. The console workflow puts so much emphasis on listening, committing to decisions, and making adjustments on the fly – it’s really exciting that ORIGIN is bringing that to a wider audience than ever before,” he says.
For those who do enjoy processing choices, says Goodman, “ORIGIN has room for two 500 series racks, so you can pop in whatever other outboard modules you want.” ORIGIN’s center section also provides space for SSL’s optional UF8 advanced DAW controller and can accommodate a large screen display for the workstation. “It’s very flexible that way and allows you to shape the console to your needs.”