TriniTy

Duality Fuse mic inputs provides the front-end, while Dante conversion across the Duality is expertly managed by System T's integrated Dante routing. This setup offers seamless flexibility, allowing you to switch between stereo tracking sessions and fully-fledged Dolby Atmos 9.1.6 mixing sessions with the simple loading of a file. Monitoring control can be adjusted between Duality and System T for each session as needed. 

The TriniTy solution workflows and signal paths can be fine-tuned to suit various production requirements. In a typical Atmos mixing configuration, Duality channels serve as object processing, with channel outputs routed directly to the renderer. Duality's LFE bus effortlessly incorporates object audio into the LFE bus within the 7.1.2 bed, which is then directed to System T.

The TriniTy solution seamlessly integrates into any existing or new installation, thanks to its Dante infrastructure. SSL's Network IO range covers Mic amps, Line level, AES, and MADI I/O, complementing the Tempest Processing Engines with native Dante, AES67, or ST2110 connectivity. It also handles third-party equipment control, including devices like Focusrite MP8R or Shure wireless microphones providing a truly comprehensive solution for all applications. For concert halls linked to an in-house recording studio, TriniTy seamlessly integrates into the studio setup. Not only can it receive signals from the stage and control stage mic amps through the Dante Network when needed, but it also offers compatibility with SSL Dante stageboxes if the FOH/MON consoles are from the SSL Live range. This enables effortless signal sharing and distribution, leading to significant savings on wiring and equipment. Importantly, the system is easily modifiable and expandable at any time, ensuring flexibility and managed costs.