NAB New York 2026

Music and entertainment shows are now filmed, streamed, recorded, clipped, shared and distributed across more platforms than ever before. While sports broadcasters have embraced remote production, centralised operations and software-defined workflows to scale coverage, share resources and improve efficiency, much of live entertainment broadcasting still relies on traditional production models.

So, what is holding music broadcasting back from fully embracing the remote production models that have transformed sports?

Join Brad Madix, whose career spans live music and broadcast production, and Solid State Logic’s Mark Skipper, formerly ESPN A1, for a forward-looking discussion exploring how remote, distributed and software-defined production could reshape how live music is produced for broadcast.