The SSL 12, which he has been using for about a year, operates as a 4-channel mixer for a collection of hardware sound sources. “It's a very sturdy interface and it's proved to be a rock-solid piece of kit for the live show. I was looking for something that was USB powered, that had four ins and outs and had better converters than the previous interface I was using. I tend to play in larger spaces at times, and little details are literally amplified,” he says. As soon as he introduced the SSL 12 into his signal chain, “I noticed straight away a much clearer depth of resolution compared to what I had used before. The preamps for the analogue inputs were clearly superior as well.”
The principal sound source for Om Unit’s show is Ableton Live software running on a laptop, mostly operated using a pair of Faderfox MIDI controllers designed for on-stage use. “There is also a Korg nanoPAD on which I can play various extra sounds on the fly. On the analogue side of things, I use a 303 clone, which runs through a Jomox overdrive pedal. There is also a Bugbrand PT delay that runs as a non-tempo-synced delay option, which I can manually manipulate. I use a Benidub siren for dub siren effects as well,” he elaborates.
The ‘303’, dub siren, and Bugbrand PT feed into the first three inputs of the SSL 12 interface with 4K mode engaged for extra presence, he says, adding analogue colour enhancement inspired by SSL’s 4000 series console. The SSL 12’s outputs are routed into Ableton Live. “I just plug stuff in and go, basically. I set the levels visually with the gain and output knobs. These are well coloured, so I can see where they are in a dimly lit club or stage where there’s a lot of lighting FX. When you are busy performing, that is a bigger plus than you may